Godspeed begins with an expletive, voiced feelingly by a panicked man, his face bathed in red light. The choice of words is understandable: with a pair of shears being closed around his neck and a menacing crowd of heavies standing by, Da Bao is having a day he would rather forget.
![A taxi approaches](https://ilhafilmosa.org/wp-content/uploads/2023/04/vlcsnap-2023-04-12-09h10m35s185-e1681291282923-350x336.png)
Godspeed
Godspeed begins with an expletive, voiced feelingly by a panicked man, his face bathed in red light. The choice of words is understandable: with a pair of shears being closed around his neck and a menacing crowd of heavies standing by, Da Bao is having a day he would rather forget.
![](https://ilhafilmosa.org/wp-content/uploads/2023/03/vlcsnap-2023-03-08-21h33m31s519-350x350.png)
Small Talk
This brave piece of filmmaking explores the director’s own troubled relationship with her mother and the family secrets that lie behind it.
![](https://ilhafilmosa.org/wp-content/uploads/2023/03/Gezaixi-350x350.jpg)
Gezaixi & Cinema
A brief introduction to gezaixi (Taiwanese opera) and its role in the early cinema of Taiwan.
![](https://ilhafilmosa.org/wp-content/uploads/2023/02/Zhang-350x350.png)
Cities of Last Things
Touching a number of genres – crime, sci-fi, murder mystery, romance – and by turns sad, sexy, funny and dark, Cities of Last Things is ultimately a modern fable of pessimism, of being the victim of circumstance, of illusory happiness achievable now only in drug-enhanced artifice.
![](https://ilhafilmosa.org/wp-content/uploads/2023/02/featured-image-350x350.png)
Pushing Hands
Pushing Hands is a well-paced and sensitively-handled exploration of conflict. What initially appears to be a clash of East-and-West is quickly overshadowed by universal questions of generation gaps, family obligations, identity and ageing.